Mel Stagg
EN / DE
Melanie Peschel moderating a citizens' dialogue on the heat transition in Oldenburg

Fiction & Literary Correspondence

The near future, told one character at a time.

Mel Stagg writes quiet social commentary — character studies set in the present and the near future, in search of the most liveable options for tomorrow. Written by someone who negotiates the present of that future for a living.

A love for the details that make a character.

Mel Stagg studied modern German literature before spending many years as a strategic communications consultant — work that meant reading complex social systems for a living: their tensions, their unspoken rules, the gap between what people say and what they mean.

That work has a name and a subject. As Melanie Peschel she has worked in communications since 2004, and since 2015 through her own company Tracemaker: consulting on the energy transition, climate protection and sustainability. Her work is the negotiation of the future — between public authorities, companies, citizens' initiatives and the people who get up in the morning and live with the consequences.

What becomes visible in those conversations finds its place in her writing. Not as an argument, but as a character.

She leaves her traces in three forms: as the founder of Tracemaker, as a non-fiction author, and since 2026 in literary fiction.

She has started to do what the systems never quite allowed until she took her first sabbatical: tell the stories of the people inside them. She is currently writing her debut novel.

Mel Stagg lives and writes in Germany, with a deep longing for Wales.

Raised bilingual, Mel Stagg lives and reads in two languages — and writes in one. Her stories are born in German, the language in which her characters first find their voice. For English readers, they are carried across in collaboration with literary translators: translation, to her, is a craft in its own right, and every story deserves an English voice shaped by someone who has mastered that craft.

A German and a British passport lying side by side on a wooden table
Two passports, two languages, one writer.
Portrait of Mel Stagg in a library
Rough edges make it whole. Without a shift in perspective, curiosity dies.

No black and white. No verdicts. The in-between tones are where readers find themselves.

Quiet stories for loud times.

Mel Stagg's interest lies in psychological depth and sensory detail — in characters readers can step into rather than judge from a distance.

Her fiction asks what the great upheavals of our society feel like from the inside — not as headline or forecast, but as a Tuesday in someone's life, a few years from now.

Debut novel — second revision

Lebenslänglich leise

Even in the middle of the 21st century, our memories and emotions will be the driving forces. A novel about three generations of women, each finding her own way to independence — from 1990s Bavaria to an independent Wales of the 2050s. It is narrated by Elena, an artificial intelligence. The novel is written in German.

Short-short story — hidden on this page

Perspectives

A café table, an ice cream cone, and a question that takes forty years to answer. The story is already here, hiding in plain sight — move the slider to find it.

Novella — first draft complete

„Fore!" on the ladies' tee

A story of events on the ladies' tee, where golf etiquette only seems to mirror character — and raises the question of how much we can truly see of one another. Written in German.

Novel — early notes

Untitled development novel

A near-future story of the deserted future-villages around a vast coal pit, and how the people there reinvent their home for tomorrow. Written in German.

Every story in its own time.

1980s – 2053 Lebenslänglich leise Novel — in progress
2066 Perspectives Short-short story — on this page
2077 Irritationen. Irritations. ↗ Flash fiction — on Substack, in German
2099 Der antike Kugelschreiber ↗ Flash fiction — on Substack, in German

Between what you see and what is hidden, there is a story.

Move the slider. Somewhere along the way, two voices will speak at once — that is the in-between. Keep going.

What you see What is hidden
A woman wearing a VR headset works in a library, overlaid with a glowing web of connected lines
— sometimes it only takes a few pixels.

Every surface holds an untold story. A figure at a café table, a child with an ice-cream cone, a fluttering red dress – what we see is always just a part of the whole story.

The rest remains hidden for the time being. Unless, of course, a curious mind shifts its own perspective – even if only by a few pixels.

Letters, drafts, and the occasional detour.

I write an irregular literary letter on Substack — notes from the desk, fragments between two languages, and an open invitation to write back.

Read & subscribe on Substack ↗

The first novel is written.

Around 77,000 words, written between April and August 2026, every line by hand. The second revision is under way; the finished manuscript will be ready in December 2026.

That is why this site exists: I am looking for a literary agent.

Dear literary agent with a love for near-future upmarket fiction — I’m still looking for you. Please write to me.

mel.stagg.author@gmail.com

I will send you the synopsis and a reading sample on request. The manuscript is unpublished and has not been submitted to any publisher.